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Collecting for the Future: Recent Additions to the Winterthur Collection

Banyan Robe

Man's banyan, front view, 1780-99

Man’s banyan, front view, 1780-99

Charles Willson Peale (1741-1827)
Philadelphia, Pennsylvania; 1783-86
Oil on canvas
Gift of Mrs. Julia B. Henry 1959.160

Charles Willson Peale (1741-1827)
Philadelphia, Pennsylvania; 1783-86
Oil on canvas
Gift of Mrs. Julia B. Henry 1959.160


Products of an Expanding Global Economy

In the late 1700’s, affluent men spent their leisure hours dressed in colorful outer robes like this one. Known as a “banyan,” these informal house coats were an alternative to more restrictive and form-fitting daywear. Tailored banyans as well as the popular loose-fitting kimono-style dressing gown seen in the Charles Willson Peale painting were the product of global interactions, inspired by Japanese and Persian clothing styles. 

Every stitch of this banyan speaks to the interweaving of cultural influences from across the world. It is probably made from Indian cotton that was exported to England and printed with a blue-and-white design at Bromley Hall, one of London’s largest calico printers and exporters. It was then purchased and taken to the Netherlands, where it remained in the family of a wealthy Dutch merchant until coming to Winterthur.

 

Man’s Banyan
Printed design attributed to Bromley Hall, Middlesex, England
Robe assembled in England or the Netherlands; 1780-99
Cotton, indigo dye 
Museum purchase with funds provided by the Henry Francis du Pont Collectors Circle 2014.24

Details details details

Man's banyan, front view

Man’s banyan, front view

Man's banyan, back view

Man’s banyan, back view

Pattern detail

Pattern detail

Button detail

Button detail

Leg detail

Leg detail

Inside detail

Inside detail

Inside detail

Inside detail

Pattern detail

Pattern detail


Curated by Nalleli Guillen during her tenure as the Sewell C. Biggs Curatorial Fellow,Collecting for the Future: Recent Additions to the Winterthur Collection was on view in the Winterthur galleries May 6, 2017 through May 5, 2018. The exhibition highlighted a variety of recently acquired objects and their contribution to the Winterthur collection.

 

 

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